Weapons is weird, haunting, and out there — but that’s also what makes it memorable. It’s a horror film that dares to be messy, emotional, and unpredictable.
It’s a spectacle first, a story second and that’s okay — as long as you know what you’re signing up for. F1 might not redefine the racing movie, but it’s a hell of a good time.
“The Conjuring: Last Rites”, the ninth entry in New Line Cinema’s more than $2 billion theatrical Conjuring Universe, debuts Digitally at home on October ...
One Flew Over the Cuckoo’s Nest, the critically-acclaimed 1975 film from filmmaker Miloš Forman and starring Jack Nicholson in his first Academy Award-winning role.
Dubbed “the greatest that never was,” Sonny Hayes was FORMULA 1’s most promising phenom of the 1990s until an accident on the track nearly ended his career.
Since their debut in 1940, the legendary cat-and-mouse duo became global icons, setting the standard for animated shorts with their blend of slapstick humor and inventive storytelling.
Adapted from the classic novel by Margaret Atwood, The Handmaid’s Tale is the story of life in the dystopia of Gilead, a totalitarian society in what was formerly the United States.
Jurassic World: Rebirth doesn’t reinvent the series, but it delivers exactly what fans want: dinosaurs, danger, and a spectacle to watch more than once.
When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.
Our now-reformed Bad Guys are trying to be good, but instead find themselves hijacked into a high-stakes heist by a new team of criminals they never saw coming: The Bad Girls.
A covert extraction team races to the most dangerous place on Earth, an island research facility where dinosaurs too deadly for the original Jurassic Park were left behind.
By championing directors, embracing risk, and redefining the aesthetics of independent cinema, A24 has not only disrupted Hollywood norms but also helped restore faith in storytelling.
